A mesmerizing musical journey, where “Mr. Guitar” transforms the rhythm of the rails into a masterful practice of fingerstyle.
In the album “Superpickers” (1973)—a project bringing together the best guitarists in Nashville at the time—Chet Atkins’s rendition of “City of New Orleans” shines like a diamond. Originally an iconic song by Steve Goodman (and closely associated with the vocals of Arlo Guthrie), this piece was exquisitely rearranged by Chet. For those who love his guitar playing, this was Chet’s peak: a perfect blend of the moving rhythm of the train and the sharp, clean licks—stunningly precise. The presence of at least one “superlick” in this recording has made it a textbook example for anyone wanting to master the art of fingerstyle.
Historically, the album Superpickers emerged during a period when Chet Atkins sought to reaffirm the position of pure fingerpicking technique amidst the changing tide of pop music. By choosing a contemporary folk song like “City of New Orleans,” he demonstrated that his Country-Jazz style could adapt to and elevate any melody. The track’s “class” lies in its incredibly clever instrumentation: the walking bass mimics the sound of a train engine, while the main melody soars above like sunlight streaming through a train window. This is the epitome of Nashville Sound at its finest, where every note is calculated to create a vibrant space.
The story behind the recording is one of meticulous attention to detail and a passion for technical precision. Chet wasn’t just playing a melody; he was “painting” the journey of the Illinois Central train through the American landscape. The “superlicks” that discerning listeners can recognize are continuous, high-speed finger runs that maintain a smooth, resonant quality without any ripples. This reflects the spirit of an artist never satisfied with simplicity; he always seeks to add playful touches, emotionally charged accents (bends), transforming the electric guitar into a living entity.
Meaningfully, the song explores the concept of “journey.” For middle-aged listeners who have spent much of their lives traveling, this melody evokes a deep sense of movement and time. We understand that life is like the City of New Orleans train, passing through fields, cities, and even personal sorrows. Chet Atkins’ music reminds us to enjoy that journey with a calm and refined perspective. It is a tribute to the enduring nature of traditional values, affirming that no matter how the medium changes, the emotions that music evokes remain the most solid foundation.
Listening to the recording from the album Superpickers, one cannot help but admire the “cleanliness” of Chet’s performance style. Each soaring note carries the self-respect of a master and the passion of a child exploring the world. For those who have considered his piano playing a part of their journey to adulthood, this version is a powerful testament to enduring class. It leaves a vibrant and hopeful echo, a reminder that beauty lies in the smallest details, as long as one knows how to “play” them with all their heart.